- Morning.

- Morning, ma'am.

- Good morning.

- Hi.

(laughing) Do you wanna, should we do a tour?

So this is a little tour of uh essentially like Eliza Land right.

My front door here and we are shooting the reverse.

It genuinely looks like you're outside.

It's really impressive.

Up the stairs, down the corridor, and into my office.

- Hello.

- Hey Stu.

You're not gonna make it babes.

He's got way too much time on his hands.

Some amazing books.

They're so clever.

The props department have just like pack it full of so much character.

What I love as well is all this paperwork that, you know we get used to.

I've got my Henry Scarlet Private Detective head heading there.

What's beautiful about this set is that it was really obviously we all know it was Henry Scarlet's room and I think very little has changed since Eliza has moved in.

So it has a real sense of heart and you know, history and everything to it, which I think is really lovely.

The first thing I checked when we came in was whether the hole from season one was there, but it's not.

I love this room so much, it's like, I'll be so sad to leave and we have, and it has to be all packed away.

Let me take you into the kitchen.

It's one of my favorite rooms.

So I guess this is probably where we mostly find Ivy more than Eliza.

The relationship is such a important one.

- What's happened?

- (Phillips) I, I mean, I love it, and I think it's so essential for the show.

You see Eliza in a completely different light.

It's funny how like just looking at something can just take you right back to the scenes that you shot.

Um but yeah, some lovely magic happens here.

So I think that's it.

The kitchen.

Should we head to the drawing room?

This way and we come upstairs, go to the bedrooms.

We've got little knick-knacks.

This coat that always hangs here.

Downstairs um is the kitchen, but as you can see there's not actually any stairs.

Into the drawing room.

I think the color palette is just really special.

I love the blue.

The wallpaper is just so gorgeous.

I remember the first time we saw this room when we were in Dublin, um we were working in a house called Cabin Tealy House where, um so we are working on location rather than, this is now in Serbia, in a set dressed set.

It's really amazing to see it move from Dublin and now to Serbia.

And yet it, it looks and feels just the same, some of my favorite scenes that we've done in here.

I'm constantly losing my cups.

Here's one, I need to bring this back to my dressing room.

Um I'll take this with me.

I think that's it for Eliza's drawing room.